Attendance tells you they came.
Sentiko tells you what they left with, while it's still warm.
Elizabeth Markevitch · Founder, Sentiko
The average response rate of a museum exit survey. Decisions worth millions, made on a whisper of data.
„Because what we ask for, in return, is fifteen seconds and a flower."
In the room, not by email.
One screen, one tap.
The flower is theirs.
The garden grows live.
The audience scans, the institution sees the garden grow.
„Did this move you, in your body or your heart?”
„Were you fully here with it, or partly elsewhere?”
„Did it open something, or shift how you see?”
„Did you feel connected, to the work, the people, the room?”
„Will you talk about this with someone?”
And one question kept only for the visitor: „Is there an image you want to keep?” The data is a side effect.
„Spreadsheets count visitors before their experience. Sentiko keeps what visitors felt."
the warm-data lens
Live, every day, while the feeling is still warm, not six months later, when the season is over.
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flowers bloomedcalmer
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engagementSynthetic reading. The first real one arrives with the Rainbirds tour, summer 2026.
Sentiko's first live deployment runs on Katharina Franck's Rainbirds tour across Germany. Single QR per venue, German copy, single emotional barometer at the end of each concert. We will publish what we find, including what does not work.
„This is a forthcoming pilot, not a proof point. Results in summer 2026."
Culture is a global public good. We lack the instruments to measure its effect.
Documents the role of the arts in health, illness, and recovery, but provides no measurement at audience scale.
Sentiko is that instrument.
Maps how art measurably shifts attention, emotion, and physiology, in lab studies, with biometric tools.
Sentiko captures those shifts at audience scale, in the moment they happen.
Financial support for arts and culture is often treated as a cost, not an investment.
Sentiko is the instant instrument, a live reading of the three public-value dimensions she names.